Salisbury Garden Court

Cecil Road, Wadestown

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  • Salisbury Garden Court has national historic significance as an example of the 'garden court' concept realised in a New Zealand setting.  It followed a number of other similar schemes in other parts of the country and illustrates how widely the acceptance of those principles was in New Zealand, extending well beyond the government sector's state housing initiatives. Drawing on American influences in suburban development, Fred and Kate Pillar and their architect Fred Chinn devised a communal housing precinct in what was then the fringes of the city.   The concept did not bear fruit immediately, but it came of age in later years when the communal concept was embraced with enthusiasm by residents. 

    The Court has very high social and cultural value.  It has been the home of many tenants and house owners over its life, most of whom would testify to the uniqueness of the lifestyle, where the arrangement of the houses and the limited and steep access have combined to fashion a unique community.  The Court is well known to people in the immediate community and those who have visited and lived there but it is not as widely known, even in Wellington.  Nevertheless, as an example of the growing awareness of the Court, a television documentary is currently being prepared on the area (c.2007), which is certain to expand its wider appreciation. 

    The houses of Salisbury Garden Court have architectural and representative value given their unpretentious styling and simple plan, both of which are typical of the bungalow idiom. The informality of the California bungalow model is reinforced by the non-linear repetition of the sixteen dwelling units, on this hilly site, around a communal outdoor space. The buildings are largely authentic and such alterations and additions that have been carried out have, with only a few exceptions, very carefully preserved the original external character of each house.

    The area has high townscape value, in part for the distinctive character of the houses and their arrangement on the hillside and also because of the role of the bush within and outside the area as a setting for the houses.  The area has evolved into a mature and attractive area, with high aesthetic value.  The group value of the houses of Salisbury Garden Court is readily apparent, especially given that there have been no additional dwellings built within the boundaries of the subdivision. The coherence of the site is also enhanced by the close proximity of four other Pillar/Chinn houses, visible from Cecil Road, which are of a similar size and style.


  • close Physical Description
    • Setting close

      Early photos show a relatively denuded landscape, with the houses in an orderly arrangement across the hillside and the paths linking them a very obvious characteristic of the area.  The court was much more of a central feature then, with the court visible from most of the houses and vice versa.  The court was presumably in use then too.   Photos from the 1970s show that the area was still relatively open even then.  

      Today, the regeneration of bush within the Court and on its margins has totally changed the general setting.  The houses are located within a largely 'green' setting and some are difficult to see from certain vantage points.  Houses are 'come upon' rather than picked out from a distance.  The tennis court is still the central point of the Court but it is no longer its main feature, principally because it can not be appreciated from any distance.  This maturing of the vegetation and the accompanying softening of the landscape is significant because it demonstrates the fulfilment of the vision of the 1970s residents who wanted to transform the landscape. 

      Part of that vision involved the purchase of the Rangiohua Reserve, which can today be considered a key part of the setting of the area, framing the Court and the nearby Cecil Road houses, which share an historical and physical association with the Court.  The houses themselves, where they can be seen together, still convey the homogeneity of their design, with subtle roof changes and positionings in the landscape the only apparent differences between them.   Today the combination of trees and houses and the backdrop of bush is the defining character of Salisbury Garden Court.

      A significant aspect of the Court's setting is the group of four houses adjacent to its south-west boundary.  These are numbers 133-139 Cecil Road and they share stylistic and historical connections with the Court.   The Pillars built this group of houses and they were designed by Fred Chinn.


    • Streetscape or Landscape close

      Not available

    • Contents and Extent close

      Salisbury Garden Court Heritage Area – Houses 1929 – 1930 (1-16(Lots DP32496)) excluding identified Non-Heritage Buildings and Structures shown in Appendix 8 to Chapter 21 of the District Plan.

      The extent of the heritage area is shown in the District Plan, Chapter 21, Appendix 8.


    • Buildings close

      Exterior

      Each of the sixteen houses at Salisbury Garden Court, which are arranged in pairs around the communal tennis court, was originally a one bedroom, bungalow cottage, linked to its neighbour by a shared porch. Alterations have been carried out to the houses over the years, most significantly with the construction of additional living space either above or below the original footprint.  These alterations reflect the changing living patterns of the residents and are generally remarkably sympathetic to the size, scale and materials of the original houses.

      The cottages are timber-framed buildings, with gabled roofs clad in corrugated iron. Lapped weatherboards clad the cottage walls, which are inset with sash windows. At No. 1, the only house to have been built with a second storey beneath the main floor, rusticated weatherboards are used for cladding. This treatment has been repeated elsewhere in the Court where later additions have resulted in lower level rooms. Tripartite boxed sash windows light the living room and bedroom and the upper sash of all the original windows is divided into four panes. The treatment of the windows constitutes the only decorative element within the elevations of these simple buildings.

      Interior

      As built each house was simply a small bungalow with a side entrance porch opening into a short hallway off which all but one of the five rooms opened. The single bedroom opened off one side of the hall, with the bathroom and kitchen opening off the other. Terminating the hall was the door to the living room, off which opened a small dining room that communicated with the kitchen through a hatch set into the shared wall. The galley kitchen also had external access at the rear of the building.

      The living room had a small tiled fireplace and narrow egg and dart moulding beneath the stippled ceiling. The treatment of the fireplace surrounds varied slightly between the houses, with some having flat mantels and others three-part mantels with a central section lower than those on either side.

      Today some houses have internal stairs that access additional rooms, either above or below the original floor level. Others, like No. 9 have external access to living and storage space added beneath the house. 


    • Structures and Features close

      Not available

    • Other Features close

      Not available

    • Archaeology close

      Reference: N/A

      There are no recorded archaeological sites in the heritage area. None of the buildings or other structures was built before 1900.

  • close Historic Context
    • Salisbury Garden Court was a speculative venture by local builder Herbert Pillar and his wife Kate.  Consisting of 16 houses built above Cecil Road high on the western side of Tinakori Hill, the venture – based on examples in the United States – was completed in 1930, in the depths of the Depression.

      Salisbury Garden Court was one of a number of schemes developed in the first half of the 20th century that drew on the principles of Garden City residential design. The provision of functional and economic floor plans within standardised houses arranged according to the topography of their site and sharing communal space, are the quintessential characteristics of Garden City suburbs.

      Salisbury Garden Court can be compared with architect James Bennie's attempt to address the chronic post-WWI housing shortage in Wellington with his bungalow developments at Island Bay (c.1922) and Karori (1927). Bennie imported his precut houses from the Gordon-Van Tine Company of Davenport, Iowa in the U.S.A., while the Department of Railways established a precut housing factory at Frankton in Hamilton (1920-29) to facilitate its efforts to improve railway workers' accommodation along Garden City suburb lines. Samuel Hurst Seager's private ventures at Clifton Spur, Sumner in Christchurch and Durie Hill in Wanganui (1919) are high-style antecedents for the Pillars' project, and all of these schemes were to lay the foundation for the Garden City-influenced State Housing scheme of the 1930s.

      This extract from an Australian article titled 'On Building the Home', which was reprinted in the April 1919 issue of New Zealand Building Progress, seems to sum up the ethos behind the development of Salisbury Garden Court.

      Such a home is within the means of every man of decent salary, and why people live in the city in crowded boardinghouses when they can have charming little establishments of their own, with a scrap of garden, and save still further money by growing a few vegetables of their own, is beyond human comprehension. The only explanation is lack of enterprise.

      Herbert and Kate Pillar conceived their communal housing development after visiting the United States in 1929.  The concept involved the construction of 10-20 small houses around a central court of gardens and grounds. They formed a company, Salisbury Garden Court Ltd. with share capital of £1000, while other money was raised via a loan from the Government Life Insurance Office.  In November 1929 the Pillars bought a large piece of land on the uphill side of Cecil Road. 

      The Pillars hired architect Fred Chinn (1885-1962) to design the houses and layout.  His practice was based in the Odlins building on Cable Street and he did some designs for the housing development work of John Odlin and Co.  He practised in Wellington from about 1904 to 1934 and in that time designed about 75 buildings and houses, along with his Odlins work.  He moved to Heretaunga in 1934.  Indeed there was also a connection between the Odlins and Pillar over Salisbury Garden Court – the name Odlin and Pillar is listed on the council's main file for the scheme and John Odlin and Co. provided a mortgage for the Pillars for the property.

      In his application to the Wellington City Council, Chinn described the scheme as an 'experimental bungalow court' built to provide accommodation for 'professional and business men'.  The latter, he said, struggled 'to rent a small modern home in a good district without occupying apartments, or so-called flats in old wooden houses sub-divided'.

      While it was always intended to build the houses around a central tennis court and gardens, the Pillars also planned a proper road into the area, but it never materialised.  Cone cites a comment by the Pillar's son suggesting that a road in was never seriously considered.The decision to provide only a path as access had a significant impact on the kind of people who moved there and the way they lived their lives.   Perhaps, as Cone speculates, the onset of the Depression persuaded the Pillars to scale back their original concept.

      Sixteen houses were constructed during 1930 by Pillar's firm.  The land was steep, and platforms had to be excavated to build the houses on.  The houses were arranged in pairs.  Access for construction was difficult; a goat track up from Cecil Road past No.7 may have been used.  A caretaker was appointed to maintain the area and he lived in the bottom of No.1, the only purpose-built lower ground flat.

      Once completed, the houses were made available for rental.  However, few professionals were attracted to live there and most of the early tenants were tradesmen and labourers and their families.  While the difficulty over access may not have attracted many professionals, relatively few people had cars then anyway.  Cecil Road was walking distance to the tram terminus at Wadestown, which would have been sufficient for some.  An early occupant who stayed for over 40 years was Dan Weir, of No.5, who did a variety of mainly labouring jobs over his working life.

      The pattern was set for the next 30 years.  During that period, the place evolved slowly.  In 1946, it is understood that the company was sold to a Mr Rosenburg, although there is no record of this on the relevant CT; Salisbury Garden Court Ltd. remained the name of the owner.  Rents were paid to Rosenburg's agent, real estate agent Bernard Weyburne.  Tenants had to pay a sum of £150 to secure a tenancy, which was a large sum then. Tenants complained that little or no maintenance was done and, in 1959, when the company tried to put up the rents, they took him to court.  It ruled that rents could not go up till maintenance was attended to.  It wasn't, and so rents stayed where they were.

      After World War II many thousands of Polish refugees arrived in the country and a considerable number moved to Wellington.  They started moving in to the Court in the late 1940s and by 1959, all but two of the houses were occupied by Poles. By the time the last one left in the late 1960s, 59 Poles had lived at the Court at one time or another.It became a kind of haven for the refugees and they stamped their own cultural identity on the place. 

      In 1968 Salisbury Garden Court was sold to the Loan Investment Co. who sold the property to Tinakori Heights Ltd. the following year.  In 1970, the company had DP 32496 drawn up and the houses were placed on new titles, in pairs 'because a property division would have resulted in substandard lots.'The WCC was keen to avoid this outcome too.  The formal changeover was on 5 May 1971 and the first of the properties were sold off after this.  As they were sold in pairs, investors were attracted and about half the properties remained rented throughout the 1970s.  To accommodate those who wished to sell or buy houses individually, cross leases were arranged to allow houses to share a title.

      Despite the continued tenancies, first time homeowners moved in and the culture altered with the changing times.  Some people were attracted by the concept of an urban commune and even tried to engineer such an outcome by getting friends to buy houses there.  Although this never worked, the core householders developed a communal lifestyle that, in some senses, lingers on today. 

      Working bees were organised to clear the weeds and to plant trees, a vegetable co-operative was established, there were periodic tennis court auctions of unwanted household items, and childminding was shared.  A group interested in mediation (sic) met regularly for lunch, baked their own bread and made their own tofu.  Several households also kept bees until local children began being stung.

      As a symbol of those co-operative times, when a piece of land to the rear of Salisbury Garden Court was put on the market in 1976, residents banded together to buy it and prevent its development.  The land, known as Rangiohua Reserve, adjoins the Town Belt.  As the tenants-in-common moved on, the land reverted to the remaining owners.  Just four residents today own shares in the land.  There was a lot of planting undertaken within the Reserve and the Court itself during the 1970s and today the area has evolved into a mature setting for the houses. 

      Since the houses moved to multiple ownership many have had alterations, mostly involving converting basements into living areas or internal alterations of one form or another.  Two of the houses have had rooftop additions.  The first recorded alteration was in 1981, when 14a had a double bedroom added. There were changes to six houses in the period 1990-91, and another flurry in the early 2000s.

      By the 1990s the professional classes had arrived in earnest but the arrangement of the houses ensured that the community concept survived.  Some owner / occupiers still remain from the 1970s, but in keeping with the traditions of the place, there has been a regular turnover of occupants.  The access remains an issue, with a half-in-jest suggestion that families with young children often move on once the difficulties of negotiating the path become evident. A key component of the area change has been the retention of the community spirit exemplified by the households that jointly keep chickens, the many social events, and the general care and consideration that neighbours show each other.



  • close Cultural Value
    • Significance Summary close

      Not assessed

    • Aesthetic Valueclose
      The houses of Salisbury Garden Court have architectural and representative value given their unpretentious styling and simple plan, both of which are typical of the bungalow idiom. The informality of the California bungalow model is reinforced by the non-linear repetition of the sixteen dwelling units, on this hilly site, around a communal outdoor space. The area has high townscape value, in part for the distinctive character of the houses and their arrangement on the hillside and also because of the role of the bush within and outside the area as a setting for the houses. The area has evolved into a mature and attractive area, with high aesthetic value. The group value of the houses of Salisbury Garden Court is readily apparent, especially given that there have been no additional dwellings built within the boundaries of the subdivision. The coherence of the site is also enhanced by the close proximity of four other Pillar/Chinn houses, visible from Cecil Road, which are of a similar size and style.
    • Historic Valueclose
      Salisbury Garden Court has national historic significance as an example of the 'garden court' concept realised in a New Zealand setting. It followed a number of other similar schemes in other parts of the country and illustrates how widely the acceptance of those principles was in New Zealand, extending well beyond the government sector's state housing initiatives. Drawing on American influences in suburban development, Fred and Kate Pillar and their architect Fred Chinn devised a communal housing precinct in what was then the fringes of the city. The concept did not bear fruit immediately, but it came of age in later years when the communal concept was embraced with enthusiasm by residents.
    • Scientific Valueclose
      The site has unknown archaeological value. The buildings and their setting are largely authentic and such alterations and additions that have been carried out have, with only a few exceptions, very carefully preserved the original external character of each house.
    • Social Valueclose
      The Court has very high social and cultural value. It has been the home of many tenants and house owners over its life, most of whom would testify to the uniqueness of the lifestyle, where the arrangement of the houses and the limited and steep access have combined to fashion a unique community. The Court is well known to people in the immediate community and those who have visited and lived there but it is not as widely known, even in Wellington.
    • Level Of Cultural Heritage Significanceclose
      Salisbury Garden Court has national historic significance as an example of the 'garden court' concept realised in a New Zealand setting. It followed a number of other similar schemes in other parts of the country and illustrates how widely the acceptance of those principles was in New Zealand, extending well beyond the government sector's state housing initiatives. Is the area important for any of the above characteristics at a local, regional, national, or international level? National
    • New Zealand Heritage Listclose
      {64DC70B4-B5DA-4CC2-A689-12F017851E91}
  • close New Zealand Heritage List
  • close Additional Information

Last updated: 1/13/2020 1:11:29 AM