Former National/Dominion Museum and National Art Gallery

Dominion Museum and National Art Gallery, National Museum and Art Gallery, Massey University

7 Buckle Street, Mount Cook, Wellington
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  • Constructed

    1933 - 1936

  • Architect(s)

    Gummer and Ford

  • Builder(s)

    Fletchers

  • This building is one of New Zealand's best examples of stripped classical architecture.

    It was New Zealand’s National Museum and Art Gallery from 1936 until 1996.

    The building was restored in 1999 and is now managed by Massey University.

    The landmark building demonstrates New Zealanders’ aspirations as a developing nation and is visible from many parts of the city. 

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  • close History
    • The former Dominion Museum and National Art Gallery, also known as the National Museum, completed in 1936 was the home of many of New Zealand’s most important treasures and is also one of the best examples of Stripped Classical design in New Zealand. 

      The former National Museum had its origins in the establishment of the Colonial Museum in 1865. Later renamed the Dominion Museum (1907) it was built in the Government Reserve behind the General Assembly (later Parliament Buildings). The first director of the museum was James Hector “the father of New Zealand science”. It was his successor, Augustus Hamilton, who began pressing the Government for a new building to house the large and ever growing collection. However, it was not until 1924 that the Government agreed to set aside money for the construction of a new facility, with a condition that any subsidy had to be matched by public donation. The Government promised a sum of £75, 000 later increased to £100,000, the remaining amount was met by public subscription.[1] 

      In 1928, an approach was made by the Carillon Society which had cast bells for a memorial. It was decided to incorporate the National War Memorial and Carillon on the site as well. The New Zealand Academy of Fine Arts agreed to contribute its properties and collections to the new museum as long as they would be permanently housed there. This was achieved by the passing of the National Art Gallery and Dominion Museum Act 1930. The site chosen for the museum, which would now also incorporate the National War Memorial and Carillon, as well as the National Art Gallery, was that of the former Mt Cook Barracks, and from 1870, the brick Mt Cook gaol. A national architecture competition was held to find a suitable designer for what was being recognised as the most important public buildings to be constructed at the time. The competition was won by Auckland architectural firm Gummer and Ford.[2] 

      The Mt Cook gaol was demolished and construction of the first structure – the Carillon, which was opened in 1932 (the hall of memories was not officially completed until 1964) began. The construction of the museum building began in 1933 to Gummer and Ford’s design, a monumental and imposing structure of three storeys in the Stripped Classical style. It was constructed in reinforced concrete and partially faced with Putaruru stone. The roof was clad with copper sheathing and glass. A large central portico supported by square fluted pillars dominates the main façade. 

      The internal spaces were constructed around a main gallery, known as the Maori Hall. The National Art Gallery and Dominion Museum was officially opened in 1936 by the Governor General Viscount Galway on the 1st of August.[3] 

      During World War Two the building was closed to the public and used for defence purposes. At this time a number of underground structures were built beneath the museum. The collections were moved out of the building for the duration of the war. It was not until 1949 that the museum reopened for the public.[1] 

      The museum was renamed the National Museum in 1972, but it was soon facing the same problems that it had in the time of Augustus Hamilton – its collection was quickly outgrowing the space. Temporary space was found in the nearby Mt Cook Police Station but the lack of space was becoming an ever pressing concern.[2] The government, in answer to this, established a project development board and the decision was made to move the collections to a new purpose built site. In 1992 the Museum of New Zealand Te Papa Tongarewa Act was established that would combine the National Art Gallery and Museum to form the Museum of New Zealand Te Papa Tongarewa, known as Te Papa. A competition was then held to design a new building on the Wellington Waterfront that would accommodate the museum and art gallery collections. In 1996 the National/Dominion Museum and National Art Gallery closed and in 1998 Te Papa opened.[3] 

      The building and associated land were then transferred to the Wellington Tenths Trust. The Trust in association with Massey University redeveloped the building and established it as a part of the Massey University Wellington Campus. This included a renovation of the great hall, and the re-fit of the tea garden as a place for teaching and seminars. Construction and renovation of lecture theatres as well as staff accommodation was also carried out at this time. The work was undertaken by Fletcher Construction and was completed in January 2001. The Massey University building – Tokomaru, as it is now called, is the home of the College of Creative Arts.[4] 

      This building is now considered to be one of the most significant public buildings constructed in the interwar period, and a major achievement for the architecture firm Gummer and Ford. The design is one of the two best examples in New Zealand of the Stripped Classical architecture style, the other being the Auckland War Memorial Museum. 

      The Wellington building occupies a dominant site and the building remains visible from a number of different streets. It also helps to create one of New Zealand’s best architectural precincts along with National War Memorial and Carillon. The area to the north of the Carillon and War Memorial is currently being redeveloped (2013-14) to form the National War Memorial Park. The park will be a large open space and has been designed to suit the commemorative ceremonies planned for the Centenary of the First World War. State Highway 1 will be diverted into a tunnel and the space above ground will be re-configured to form a park with views across the city. The park should be completed in time for the Anzac Day 2015 commemorations.

       


    • Modifications close
      • 1933 - 1936
      • Original Construction (00056:135: B12249)
      • 1944 - 1944
      • Addition – Shed 00056:292:B23274
      • 1944 - 1944
      • Addition – Caretakers dwelling 00056:299:B23722
      • 1950 - 1950
      • Addition – Porch 00056: 379: B29163
      • 1963 - 1963
      • Addition – Garage 00058:294: C12909
      • 1970 - 1970
      • Addition – Skyline Buildings garage 00058: 294: C30448
      • 1973 - 1973
      • Addition – Boat Shed 00058: 835: C37356
      • 1976 - 1976
      • Building Alterations – Foyer and mezzanine 00058: 1057: C45967
      • 1981 - 1981
      • Alterations to fish gallery 00058: 1332: C56057
      • 1989 - 1989
      • Addition – Storage building added to Hector Library building at rear of museum building (00044: 5: 66)
      • 1993 - 1993
      • Addition – Install sculpture (00060: 31: 1213)
      • 1993 - 1993
      • Alterations – Museum first floor (00060: 88: 3269)
      • 1994 - 1994
      • Alterations – Install doors and air conditioning (00060: 148: 5414)
      • 1999 - 2001
      • Building additions and alterations: restoration undertaken for Massey University
    • Occupation History close
      • 1936
      • Dominion Museum and National Art Gallery
      • 2001
      • Massey University
  • close Architectural Information
    • Building Classification(s) close

      Not assessed

    • Architecture close

      The former National Museum building is one of the two best examples of Stripped Classical architecture in New Zealand, alongside the Auckland War Memorial Museum. The building is three storeys high, and in plan and elevations retains a Classical symmetrical design. The structure has been left bare of Classical ornamentation, giving it an air of “discipline and austerity”. The main façade is centred on a massive portico supported by a colonnade of square fluted pillars, without capitals. The entablature above is faced with Putaruru stone and consists of a small architrave and frieze adorned with stone garlands and inscribed lettering: “National Art Gallery and Dominion Museum erected by the People and dedicated to the service of art and science”. Above the frieze is a dentilled cornice capped with a parapet which has eight emblematic shields in stone representing the eight branches of the arts and sciences. The interior planning follows a symmetrical Beaux Arts format.

    • Materials close

      It was constructed in reinforced concrete and partially faced with Putaruru stone. The roof was clad with copper sheathing with glass roof-lights.

    • Setting close

      The former National Art Gallery and Dominion Museum is located on the northern slopes of Mount Cook and overlooks the National War Memorial and Carillon and Buckle Street. The Museum is relatively visible from the surrounding streets despite being surrounded by trees. The trees help to separate the Museum building from the former Mount Cook police barracks to the east and the grounds of the former Defence depot building to the west. The setting is currently being modified to form ‘Memorial Park’.

  • close Cultural Value

    This building possesses outstanding architectural value; it is one of the two best examples of Stripped Classical architecture in New Zealand, alongside the Auckland War Memorial Museum. It is a significant design by the practice of Gummer and Ford who are considered to be one of the most outstanding architecture practices of the 20th century.

    The former National Art Gallery and Dominion Museum is a historically significant building for the role that it has played in both national and local cultural life. It is a representative of the aspirations that New Zealand held as a developing nation, particularly in the inter-war period.

    The building is a significant landmark that is sited on the northern slopes of Mount Cook (Puke Ahu) and is visible from many parts of the city and the hills around.

    • Aesthetic Value close
      • Architectural

        Does the item have architectural or artistic value for characteristics that may include its design, style, era, form, scale, materials, colour, texture, patina of age, quality of space, craftsmanship, smells, and sounds?

        This building possesses outstanding architectural value; it is one of the two best examples of Stripped Classical architecture in New Zealand, alongside the Auckland War Memorial Museum. It is a significant design by the practice of Gummer and Ford who are considered to be one of the most outstanding architecture practices of the 20th century.

      • Group

        Is the item part of a group of buildings, structures, or sites that taken together have coherence because of their age, history, style, scale, materials, or use?

        The museum was built in conjunction with the National War Memorial and Carillon. Together the two structures lie on a formal axis that was originally planned to extend into a tree lined boulevard to Courtenay Place.

      • Townscape

        Does the item have townscape value for the part it plays in defining a space or street; providing visual interest; its role as a landmark; or the contribution it makes to the character and sense of place of Wellington?

        The building is a significant landmark that is sited on the northern slopes of Mount Cook (Puke Ahu) and is visible from many parts of the city and the hills around.

    • Historic Value close
      • Association

        Is the item associated with an important person, group, or organisation?

        The former National Art Gallery and Dominion Museum is a historically significant building for the role that it has played in both national and local cultural life. It is a representative of the aspirations that New Zealand held as a developing nation, particularly in the inter-war period. Its ongoing relationship with the heritage and history of New Zealand has been ensured through its new use by Massey University.

        The museum was designed by the prominent practice Gummer and Ford

    • Scientific Value close
      • Archaeological

        Does the item have archaeological value for its ability to provide scientific information about past human activity?

        This site had both Maori and European human activity prior to 1900, this means that it is likely to have archaeological significance. It is also included in the NZAA Central City R27/270 archaeological area.

      • Technological

        Does the item have technological value for its innovative or important construction methods or use of materials?

        This is a large scale building constructed in reinforced concrete, so there is technical value in its construction

    • Social Value close
      • Identity Sense Of Place Continuity

        Is the item a focus of community, regional, or national identity? Does the item contribute to sense of place or continuity?

        As the former national museum, this building contributes to New Zealand’s national identity. The change of name from Dominion to National is indicative of the changing status of New Zealand and the process of moving from British Colony to independent nation.

      • Public Esteem

        Is the item held in high public esteem?

        As the former National Museum and Art Gallery this building played a significant role in relation to New Zealander’s cultural and social life. It has considerable relevance and significance as it once contained artefacts of great cultural importance to all New Zealander’s.

      • Sentiment Connection

        Is the item a focus of community sentiment and connection?

        This building is a focus of community sentiment and connection that comes from its role as the former National Museum. There are many different cultural values that can be attributed to this building and the wider setting as it is of importance to both European and Maori New Zealander’s. For Wellingtonians, this building is a landmark and a physical reminder of the history of the city.

      • Symbolic Commemorative Traditional Spiritual

        Does the item have symbolic, commemorative, traditional, spiritual or other cultural value for the community who has used and continues to use it?

        This building has an ongoing association with the history and cultural heritage of New Zealand. As a part of a wider complex that also includes the National War Memorial and Carillon, it still has a large number of visitors.

    • Level of Cultural Heritage Significance close
      • Authentic

        Does the item have authenticity or integrity because it retains significant fabric from the time of its construction or from later periods when important additions or modifications were carried out?

        The structure has retained a significant amount of its original fabric and therefore it has authenticity. It also has authenticity in materials, design, workmanship, and setting.

      • Rare

        Is the item rare, unique, unusual, seminal, influential, or outstanding?

        This building has outstanding heritage significance due to its architectural and aesthetic quality, its historical associations, its value as a historic place and archaeological site, and the contribution that it makes to the social and cultural lives of Wellington and New Zealand.

      • Representative

        Is the item a good example of the class it represents?

        This building is widely recognised as being one of two truly excellent examples of the Stripped Classical style in New Zealand (the other being the Auckland War Memorial Museum – Grierson, Aimer, and Draffin). It is a significant design that retains educational, social, and functional use values.

      • Importance

        Is the item important for any of the above characteristics at a local, regional, national, or international level?

        This is a nationally significant building due to the role that it played in the history of New Zealand. It has an ongoing association with the history and heritage of New Zealand while also being firmly present in modern day social and cultural life. It is a representative of the aspirations of a nation and although is no longer the national museum, it continues to have relevance and significance.

    • Local / Regional / National / International Importance close

      Not assessed

  • close Site Detail
    • District Plan Number

      16/ 41

    • Legal Description

      Lot 2 DP 87064

    • Heritage New Zealand Listed

      1/Historic Place 1409

    • Archaeological Site

      NZAA Central City R27/270

    • Current Uses

      unknown

    • Former Uses

      unknown

    • Has building been funded

      No

    • Funding Amount

      Not applicable

    • Earthquake Prone Status

      Not Earthquake Prone

  • close Additional Information

Last updated: 7/29/2024 11:21:46 PM