All Saints’ Church
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Constructed
1928 - 1929
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Architect(s)
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Builder(s)
W. Husband
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All Saints’ is a representative example of the style of revivalist architecture that was typical of New Zealand Anglican church buildings in the early twentieth century. The building was designed to resemble an English rural parish church, and is particularly notable for the simplicity of its form, and for the use of facing brick as a building material.
The building was designed by Clere and Clere, a well known local architectural practice that specialised in ecclesiastical buildings.
The church bell tower is a local landmark within the local suburban landscape and is visible from the major transport routes through Ngaio. It is also a feature of the WCC Northern Suburbs Heritage Trail.
The building was a place of worship from 1929 - 2011 and has been associated with the key events in the life of members of the congregation, as well as the focus of community and social events.
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Downloadable(s)
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History
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The Anglican worshipping community in Ngaio has a comparatively recent history. A house on the corner of Abbot Street and Imlay Crescent was rented by the parish in 1906. Interior partitions were removed and a small mission church was established.
The mission was part of the Diocese of Wellington that was constituted in 1858 and included all the settlements from Wellington to the Hutt Valley, and further north along the west coast to Whanganui. The township of Ngaio was originally named “Crofton” (1860) after William Fox built a house of the same name at what is now 21 Kenya Street, but the town was renamed Ngaio in 1908.
Crofton/Ngaio was a small farming settlement that experienced ongoing urban expansion in the years after the Wellington to Manawatu railway opened in 1885. By 1891 many denominations held church services in a private hall near the Simla Crescent railway crossing. An Anglican church was built at Boxhill in Khandallah in 1900, and by 1905 Khandallah, Crofton, Kaiwharawhara and Ngauranga formed a separate parochial district.
The first All Saints’ church was constructed in 1907 when land was purchased at the back of the railway station, and the church was used as the town’s first school room. The noise of the passing steam trains soon made it difficult to teach or preach and the site was sold in 1911. A new temporary church was built on the present site in 1912 by T. Page of Khandallah at a cost of £219. The local Anglican congregation soon outgrew this small church building, particularly after the construction of a large railway housing settlement at nearby Tarikaka Street in the 1920s (now a WCC listed Heritage Area).
Diocesan architect, Frederick de Jersey Clere, was asked to prepare plans for a new concrete church in 1921, but the project was delayed due to a lack of funds. Clere and Clere prepared further plans in 1927 and these were modelled on a small brick South Down’s Church from Sussex in England. Clere noted in a letter to the church vestry that ‘the simplicity of the plan would be as popular in Ngaio as it was in Sussex, not only for the aesthetic appeal, but also because “it is more than likely that the Down’s-folk suffered from a want of funds very much as the Ngaio-hill folk are suffering now.’” The church was designed to be increased in size as funding became available and featured a temporary timber chancel or sanctuary (still in use) and removable panels of brickwork to the nave to allow for the construction of the side aisles (that were later installed in c.1963).
The church was completed in January 1929 at a cost of £2,564 by W. Husband, a building contractor who had recently completed the similarly styled All Saints Church in Hataitai. It was dedicated to Bishop Sprott on the 8 February 1929, who noted that this “is the most prominent building in the suburb.” The 1912 church was thereafter used as the church hall.
The new church became central to community celebration, memorials and remembrance. This often took the form of ‘memorial gifts’ including a scroll that lists the names of all Ngaio men who served in WWI, and the church bell, pulpit, clergy stall, prayer desk, communion rail, vestry cabinet, pipe organ, church lounge, reredos and narthex entrance doors. The church bells, donated in memory of Susan Ethel Brandt, are known to have been rung on VE Day to celebrate the end of the war in Europe.
Suburban expansion of Ngaio increased in 1938 when the main trunk route was altered to bypass Johnsonville and the Johnsonville railway was electrified to provide commuter transport. The mortgage debt on the church was repaid in 1939 and the church was consecrated in 1941. The church was altered in c.1963 to designs by Porter and Martin Architects that increased the seating capacity from 180 people to 310 people with the construction of side aisles to the nave, all as foreseen by Clere in the original designs. The contractor was Unit Construction Ltd and the total cost of the project was £10,289 including architect’s fees. A new vicarage was constructed on an adjacent site in 1968 that was designed by Maurice Patience and constructed by J Broekes for the sum of $17, 094. The Parochial District of Ngaio was debt free in 1969 and was confirmed as a separate parish in that year. In 1973-76 work was carried out to upgrade the church hall (the original 1912 church building) and construct a ‘link’ building between the church and the church hall, all designed by Maurice Patience and built by Demic Construction for the sum of $20,640.
The church congregation has reduced in size over the past forty years and All Saints amalgamated with St Barnabas Church in Khandallah in 2006 with combined services held at the Khandallah church. A Final Eucharist service was held at All Saints’ Ngaio on the 20 March 2011 after the church’s structural engineer deemed the building to be earthquake prone. The church was closed, but the timber church lounge and church hall (original 1912 church) remained in use. Church spokesman Richard MacLean noted that ‘a resource consent would be needed to demolish the church,’ but did not go on to state whether the church was at risk of demolition.
Note: This history is an updated version of the WCC Heritage Inventory 2001 with information added from Dick Barber, The Church on the Hill (All Saint’s Church, Ngaio: 1978) and Dick Barber, All Saints’ Church, Ngaio: Parish Jubilee 1906 - 1956, (All Saints’ Church, Ngaio 1956)
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Modifications
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1912
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Church hall constructed (original church on this site)
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1929
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Church constructed
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1963
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North and south side aisles added – note there is no record of a building consent application for this work
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1968
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New vicarage constructed on an adjacent site
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1973 - 1976
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Church hall altered, and a new ‘link’ building constructed between hall and church
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2011
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All Saints’ was closed after the church’s structural engineer deemed the building to be earthquake prone.
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Occupation History
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Not assessed
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Architectural Information
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Building Classification(s)
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Not assessed
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Architecture
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All Saints’ (1929) is a simple rectangular brick church with chancel and recessed sanctuary at the east end, a central nave with pews, and a vestry and vestibule at the west end under the bell tower. There are later (c.1963) side aisles to the north and south and these are partly clad in timber weatherboards, and partly constructed in brick masonry. There is a later addition (1976) that links the timber church hall (1912) with the later brick church (1929). There are three stained glass windows on the East side behind the altar dedicated by Bishop E J Rich on the 31st July 1955
The bell tower is the church’s most distinctive feature and consists of an entrance porch on the ground floor, bell ringing chamber on the first and belfry at the second. The tower is capped by a pediment with a brick string course at second floor level. There are shallow brick piers at each corner of the upper level of the tower, and the belfry openings are louvered, with arched label moulds above them. On the south side of the tower (now enclosed in porch) is a corbel or bracket that holds a stone found by Rev. McConnel at St Ninian’s Cave, an early Christian site near Whithorn in Scotland.
The church is designed in a simple perpendicular Gothic style, modelled on a South Downs church from Sussex, England. There are five lancet windows on either side of the nave, each with an arched label mould. And there are stylistic links with other Clere and Clere churches – All Saints in Hataitai and St Matthias at Makara.
The choice of an English Gothic style for a New Zealand Church was part of a deliberate attempt to transform the physical (and spiritual) landscape of New Zealand into something that was recognizably English, and F de Jersey Clere was one of a number of English architects who ‘helped impose English building conventions and design influences upon the New Zealand town and cityscape.’
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Materials
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WCC Archives 1928 specification and building application form
Brick masonry wall (except nave and sanctuary walls to the south east?) ‘Gasco pressed bricks’. The walls are to be built as cavity walls with a damp-course at 6” above ground level.
Concrete foundations
Jarrah - roof framing, jarrah was the general specification for timber within the church building including the main entrance doors.
The flooring is noted separately as jarrah, matai or red pine (presumably rimu)
Welsh (Portmadoc) slate roof cladding
Tower roof – 6” Reinforced concrete
Gutters and flashings – copper
Cedar – weatherboards
Internal ceiling lining nave – fibrous plaster sheets installed between the timber purlins of the main roof
Internal ceiling linings – vestry and vestibule plaster on concrete
Internal timber framed walls to be panelled
Nave & vestry windows – designed to revolve on “Revolux” hinges. Glazed with “English Cathedral Glass” with ½” leaded canes
The bell dates from a bequest in 1936 by Mrs Susan Ethel Brandt and was cast in 1937 by Messrs Gillet and Johnson, Croydon. The bell is 36 ½” and weighs approx 9cwt. 7lbs, harmonically tuned to the note A, at a total cost £115.0.0d sterling nett.
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Setting
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The church is sited on a prominent elevated corner site and the siting makes the church a “valued landmark in Ngaio” as the distinctive brick church tower is visible from the main transport routes in the Ngaio area particularly the route north to Johnsonville and south to Wadestown and Wilton. The church tower can be seen from the nearby (former) Ngaio Town Hall (1925) also listed on the WCC heritage inventory (map 21/393). There is a nearby Arts and Craft style (1941) listed house on Abbott Street and a “Queen Anne” style listed house (1938) on nearby Imlay Crescent. There are two listed houses nearby on Kenya Street, Crofton (1857-8) and Donisthorpe (1906).
All Saints is also noted as feature No.11 on the WCC Northern Suburbs Heritage Trail.
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Building Classification(s)
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Cultural Value
All Saints’ is a representative example of the style of revivalist architecture that was typical of New Zealand Anglican church buildings in the early twentieth century. The building was designed to resemble an English rural parish church, and is particularly notable for the simplicity of its form, and for the use of facing brick as a building material.
The building was designed by Clere and Clere, a well known local architectural practice that specialised in ecclesiastical buildings.
The church bell tower is a local landmark within the local suburban landscape and is visible from the major transport routes through Ngaio. It is also a feature of the WCC Northern Suburbs Heritage Trail.
The building was a place of worship from 1929 - 2011 and has been associated with the key events in the life of members of the congregation, as well as the focus of community and social events.
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Aesthetic Value
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Architectural
Does the item have architectural or artistic value for characteristics that may include its design, style, era, form, scale, materials, colour, texture, patina of age, quality of space, craftsmanship, smells, and sounds?
All Saints’ is a representative example of the style of revivalist architecture that was typical of New Zealand Anglican church buildings in the early twentieth century. The building was designed to resemble an English rural parish church, and is particularly notable for the simplicity of its form, and for the use of facing brick as a building material
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Group
Is the item part of a group of buildings, structures, or sites that taken together have coherence because of their age, history, style, scale, materials, or use?
The church is located in a within group of heritage buildings that include the nearby listed 1940s houses on Abbott Street and Imlay Crescent, and the (former) Ngaio Town Hall; all of which are listed on the WCC heritage inventory. There are also two listed houses on nearby Kenya Street including the oldest building in the suburb, Crofton (1857-8) and Donisthorpe (1906).
The church is part of a significant group of eccleciastical buildings designed by Frederick de Jersey Clere that range from the grand St Mary of the Angels (NZHPT Category I) on Boulcott Street, to the simple St Matthias Church (NZHPT Category II) Makara.
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Townscape
Does the item have townscape value for the part it plays in defining a space or street; providing visual interest; its role as a landmark; or the contribution it makes to the character and sense of place of Wellington?
The church bell tower is a local landmark and is visible from major transport routes through Ngaio
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Historic Value
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Association
Is the item associated with an important person, group, or organisation?
The building has a historic association with Clere and Clere, a significant and well known local architectural practice
The building is associated with the New Zealand Anglican Church
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Association
Is the item associated with an important historic event, theme, pattern, phase, or activity?
The church is associated with the development of Ngaio from a town that serviced the adjacent railway into a large and thriving suburb
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Scientific Value
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Not assessed
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Social Value
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Identity Sense of place Continuity
Is the item a focus of community, regional, or national identity? Does the item contribute to sense of place or continuity?
The building is based on a traditional Gothic church from rural England and the style was chosen as part of the movement to ‘Anglicise’ the physical and spiritual landscape of New Zealand in the 19th and early 20th Century. It illustrates a desire for a continued connection to the European cultural heritage of the settler community – something that has different cultural connotations for many New Zealanders today.
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Sentiment Connection
Is the item a focus of community sentiment and connection?
The building was a place of worship from 1929 - 2011 and has been associated with the key events in the life of members of the congregation including the births, marriages, deaths of individuals, their friends and their family. The church was also the focus of community and social events for the congregation.
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Symbolic commermorative traditional spiritual
Does the item have symbolic, commemorative, traditional, spiritual or other cultural value for the community who has used and continues to use it?
The building holds a memorial scroll that lists the men of Ngaio who served in WW1
The church bell has been used as part of public celebrations, particularly to celebrate the end of WWII
Many of the church fittings (and furniture) were donated/ dedicated in memory of clergy, parishioners and local people.
The building has significant spiritual cultural value for the church communities that used the building until 2011. Use of the building has ceased due to concerns as to the earthquake prone status of the church.
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Level of Cultural Heritage Significance
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Authentic
Does the item have authenticity or integrity because it retains significant fabric from the time of its construction or from later periods when important additions or modifications were carried out?
The building nave and tower retain most of the early significant building fabric. There are later additions of side aisles (1963) and a link building (1976) to an earlier (1912) church building on the site. The early (1912) church building is now used as a church hall.
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Representative
Is the item a good example of the class it represents?
The building is a good representative example of an early 20th Century Church
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Local / Regional / National / International Importance
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Not assessed
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Aesthetic Value
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Site Detail
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District Plan Number
21/ 378
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Legal Description
Lot 7 DP 1029
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Heritage New Zealand Listed
Not Registered in 2012
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Archaeological Site
Risk Unknown
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Current Uses
unknown
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Former Uses
unknown
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Has building been funded
No
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Funding Amount
Not applicable
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Earthquake Prone Status
124 Notice
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Additional Information
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Sources
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- Dick Barber, All Saints’ Church, Ngaio: Parish Jubilee 1906 - 1956, (All Saints’ Church, Ngaio 1956)
- Dick Barber, The Church on the Hill (All Saint’s Church, Ngaio: 1978), 9
- NZHPT Glossary
- Peter Shaw, A History of New Zealand Architecture, (Auckland: Hodder Moa Beckett, 2003), 109
- WCC 1995 Heritage Buildings Inventory reference 1.23 (1994).
- WCC Heritage Building Inventory 2001 ABBO1
- Googlemaps
- WCC archives reference B5812
- NZ Historic Places Trust.
- Duncan Winder, “All Saints’ Church, 1968,” held by Alexander Turnbull Library ID: DW-3171-F
- Duncan Winder, “All Saints’ Church interior in 1968,” held by Alexander Turnbull Library ID: DW-3174-F
- Bronwyn Torrie, “Earthquake Fear the ‘final straw’ for Ngaio Church.” Dominion Post 31/03/2011
- N.Z. Building Progress; July, Dec. 1913; Aug., Sept., Oct., 1917; April 1922
- Chris Maclean. 'Wellington places - Northern suburbs', Te Ara - the Encyclopedia of New Zealand, updated 3-Mar-09
- Ministry of Culture and Heritage website “NZ History.net” last updated 23-Jun-2011
- Ngaio Progressive Association website accessed 1 June 2012
- Terry Hearn. 'English - Transforming the landscape', Te Ara - the Encyclopedia of New Zealand, updated 4-Mar-09
- WCC website “Wellington City Council Heritage Trail – Northern Suburbs 01.” Accessed May 2010
- Technical Documentation close
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Footnotes
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Not available
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Sources
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Last updated: 7/6/2017 10:43:01 PM